intrusive

on my way home from work i pass a hawk
its talons crushing some animal i know i
would’ve loved. a turkey vulture glares into my car – i blocked his view of the
carnage and the world will always
be hungry

i sob through the traffic on Parker.
no matter how loud the radio, i can still hear the squelch. talon meets
meat meets bone. i’m exhausted.

if it gets too quiet i feel my lower jaw crumbling
three pieces, teeth inward.

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24

here’s the truth
I have never wanted to be permanent before you

my first love held me only by the fingertips, my eyes
cast outward seeking sunlight. distant,
he called me.

but you are so close.
your breath lulls
my hummingbird heart
I settle into solid amber – calm, dark

and sweet.

Let the Monsters Die

I think we’re allowed to let the monsters die
and yeah, I know, it stung when you pried your limbs
from between its teeth – there are
bruises on your joints that still ache years later

might never stop
and you’ll carry that pain
wearing it like a name tag,
like a reason.

remember
you climbed out of the beast on your own
it might remember your taste but it can’t
bite down and
feel your skin against its tongue anymore

it is too old to chase after you
its teeth are rotting, sliding between chapped
lips onto the ground – unruly headstones – still peppered with
memories of you,

and you lived.

The Woods

the hands are mine – small and pale,
hungry. it is as if a seed has dropped into my
palms, stretching inward

seeking nutrients from a body I have never
understood. it is as if someone
has planted the last tree here,
inside me
and it’s urgent and important and
sometimes my anxiety peels back the
bark protecting my chest until
I can’t breathe
teetering against roots without
an anchor, always a jump away
from felling the forest —

then
he smiles at me

and I can feel the leaves press against my skin
from the inside, I open my mouth
and taste fresh air;
hand over hand, I climb out of myself.
I find the sun.

Caricature

sometimes I dream of my baby teeth –
of rearranging the tiny white mounds into messages
outside his bedroom door

I can almost feel their smoothness against
my palm. it hurts but I
write on, spelling out secrets on the carpet
wiping the blood from my chin

the door, closed,
the lock pressed inward – he is afraid
of the bone. he doesn’t know
what it means

the man leaves me in silence

with my tongue,
probing the sore and weeping craters of
my jaw

with my tongue
held and tied and angry.

Something Old

Here is where I was, two and three years ago. Simple pieces. Nothing too heavy or incriminating. But poetry always marks who I’ve been and where I’m going.

 

Bus #32 off Orchard

To the bulimic on the 9 AM bus –
I’m sorry heaven’s light burns the skin
around your chapped lips, I remember
how badly the sun can sting on mornings
like this
you slide into the hard plastic seat
as if slipping beneath a pinewood lid
your body sighs, collapsing inward,
and I wonder
how long you would be permitted
to sleep.

——————————————————-

we spill into the street
like milk flooding linoleum
and we know there’s no use crying

the sun has yet to claim its throne
seducing the last whispers of dawn
a frigid wind slips underneath our scarves
stroking the smooth napes of our necks

screaming metal materializes
girls clutching coffee struggle
to remember their own names
we file inside and no one says it
but we always crave the proximity.

They Could’ve Been Dancing

I truly believe you’re either born a poet or forged into one – but I can’t decide where that leaves me.

I’ve been a poet longer than almost anything else – my love for poetry just barely predates my trauma and the subsequent illnesses it wrought. Poetry was my coping mechanism long before I understood what I had survived. Words just make sense in a way that numbers and figures never quite managed.

April is National Poetry Month, intended to expose the nation to the beauty and calamity of words. Poetry is where I began. My first poem was published in Highlights magazine before I was old enough to type. It was about the wind. There was an owl. That’s all I remember. But I dictated the poem to my mother and I was so proud when she printed it out. Proud, but nervous. Once it was sent to the magazine, it wasn’t my poem anymore. But we have the print in my closet, locked away under other little memories deemed soft enough to treasure.

And so I was a poet.

I won an award at Tattered Covers. It was expected that the winners would read their work aloud but I couldn’t, not in the slightest, so I trembled behind my mother instead. She read about the wind and I shook, face red, my words so separate from myself that I could barely stand to hear them. Then the crowd applauded! And suddenly the fear and dread melted into something different, something I have struggled to define in the years since.

It was like being heard for the first time.

I hope I smiled then, but it’d be true to form if I had cried instead.

 

 

They Could’ve Been Dancing

we’re packed into a storage house
past its prime, plastered with graffiti and
band stickers and my friend’s glitter
bombs from five shows ago that never
washed away

I don’t know any of the songs but
that boy has my heart in one hand
and my hand in the other and
I’m shouting beneath my skin, eyes open,
watching the men grab each other
and sway

it’s beautiful
tangentially speaking
as if music, like weeds, grew
around a structure and said

“yes, here,
this will be enough.”

Wisdom teeth

Learned today that most young girls
wake up crying after sedation
Doc pulls the needle out and before
their eyes open,
they’ve flooded

hot tears, a riverbank bursting,
nothing sweet about it – just sad
on sad on sad
the gauze lining their beaten gum tissue
fades to red as they shake

Doc is gentle, Doc is good
but I know this will not be the last time
a man carves bloody craters there
I know these girls will be
floodland women, jaws aching
as they struggle to pry
calloused hands from their bruised tongues.

Gatsby Seeks Daisy

It is too cold to sleep. My toes shrivel inward beneath my comforter. I have been awake for hours. Every movement stings , as if the fibers of my muscles have frozen over. They catch on to one another, splintering in the lining of my skin.

I’ve often written about desperation and honesty, the lines of which blur in my brain. Is it honest to confess my confusion and hurt or does my need for concrete information render that act desperate?  I stuff my fists in my mouth to choke the words I’ve stored behind my tongue for you. Syllables slip through my fingers, landing softly on my keyboard like the first snowfall of the season: it is cold, and I miss you.

So instead of being desperate or honest, I’m going to give you some old lines of mine. My heart is too heavy to create something new.


the devil is hard of hearing – his lips
curl inward around our names,
like fruit flies encircling old apples

he writes letters to my father but misspells the street name. a few blocks over
he lingers, signing rapidly, his hands
too loud for the intersection

anyway
I don’t know how to tell him
it’s not the leaving that I love – it’s the victory
march, absolution in the form of ticker
tape coating the streets like a comforter

but the devil just bares his palms
with a shake
fingers wide as he trails behind me
the whole way home.


 

We are a gradual dissolution into blue – deep blue, like the depths of the universe, unfolding in a matter of syllables: everything ends.